This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based...(展开全部)

This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based...(展开全部)

The Chinese territory is densely meshed with holy sites (mountains, caves, springs...) where the gods manifest themselves and where pilgrims come to meet them. The present volume, the result of a Franco-Japanese conference held in Paris in 2017, includes fifteen chapters in French and English, exploring the conceptions and practices at these holy sites; they build the analysis ...(展开全部)

The Chinese territory is densely meshed with holy sites (mountains, caves, springs...) where the gods manifest themselves and where pilgrims come to meet them. The present volume, the result of a Franco-Japanese conference held in Paris in 2017, includes fifteen chapters in French and English, exploring the conceptions and practices at these holy sites; they build the analysis ...(展开全部)

[英] 麦大维（David McMullen），有名唐史研究专家，英国学术院院士、剑桥大学圣约翰学院终身院士，曾任剑桥大学中国学讲座教授、亚非学院东亚研究所所长、中国研究中心主任，以及全英中国研究协会主席、李约瑟中国学讲席教授、花园委员会主席。张达志，厦门大学学士、复旦大学与美国宾夕法尼亚大学联合培养博士、武汉大学博士后，现任华中师范大学历史文化学院副教授，兼任台湾地区大学访问学者、中国魏晋南北朝史学会理事。蔡明琼，华中师范大学硕士，现任湖北省天门中学教师。

[英] 麦大维（David McMullen），有名唐史研究专家，英国学术院院士、剑桥大学圣约翰学院终身院士，曾任剑桥大学中国学讲座教授、亚非学院东亚研究所所长、中国研究中心主任，以及全英中国研究协会主席、李约瑟中国学讲席教授、花园委员会主席。张达志，厦门大学学士、复旦大学与美国宾夕法尼亚大学联合培养博士、武汉大学博士后，现任华中师范大学历史文化学院副教授，兼任台湾地区大学访问学者、中国魏晋南北朝史学会理事。蔡明琼，华中师范大学硕士，现任湖北省天门中学教师。

Né en 1960 à Hangzhou (Zhejiang) Yu Hua a commencé à écrire en 1983. Ont été traduits en français : Vivre ! (le livre de poche, 1994 ; Babel n° 880). porté à l'écran par Zhang Yi-mou et primé au Festival de Cannes en 1994, Un monde évanoui (Philippe Picquier, 1994) ; et, chez Actes Sud. Le Vendeur de sang (1997: Babel n° 748), Un amour classique (2000: Babel n° 955), Cris dans ...(展开全部)

Shifting Stories explores the tale literature of eighth- and ninth-century China to show how the written tales we have today grew out of a fluid culture of hearsay that circulated within elite society. Sarah M. Allen focuses on two main types of tales, those based in gossip about recognizable public figures and those developed out of lore concerning the occult. She demonstrates...(展开全部)

Shifting Stories explores the tale literature of eighth- and ninth-century China to show how the written tales we have today grew out of a fluid culture of hearsay that circulated within elite society. Sarah M. Allen focuses on two main types of tales, those based in gossip about recognizable public figures and those developed out of lore concerning the occult. She demonstrates...(展开全部)